Troubleshooting in Photoshop CS6
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If you would rather buy Photoshop, then CS6 available. However, if you want to buy CS6, you have to call into Adobe sales and order it. Here are all the new features added in Photoshop CS6.
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If you would rather buy Photoshop, then CS6 available. However, if you want to buy CS6, you have to call into Adobe sales and order it. Here are all the new features added in Photoshop CS6. All the videos related to this page can be viewed here User Interface.
The first thing you will notice when you first open Photoshop CS6, is the new look. There is a new dark User Interface. There are four different flavors of it and you can change them all in the preferences menu. Yes, the old familiar light interface is one of the options.
I suggest giving the dark ones a go though, you might just love them. Another thing, you might not notice at first is that the look and feel of the panels have been tightened up and now more consistent naming is used throughout. Properties Panel. If you are used to looking at the Masks Panel, the Adjustment controls for Adjustment layers and the 3D options, they have all been consolidated into a Properties panel.
This helps reduce clutter. When you go into the filters menu, you might think a lot of filters are gone. Definitely worth mentioning is Preferences can now be imported and exported. This is great for people with lots of custom brushes, shapes, actions etc. Photoshop CS6 offers the option to migrate old presets over on launch; I have to say that I love it!
They are all special effects… blurs that simulate different kinds of lens effects. We may as well start-off with what I predict will be the big one: The tilt-shift blur, adds a blur to the entire image, but retains a narrow strip of focus.
This is similar to what you would get using a tilt shift lens at an angle, the result is that it makes things look like miniatures.
Add this filter; adjust the blur and the drag to set the angle and area to be in focus. This is a lot of fun and the fun intensifies when you make changes to the light Bokeh.
You can have bright areas blown out with splashes of color, or just a tinge of white to simulate out-of-focus specular highlights. The Iris Blur allows you to position a circle on your image, the center of the circle is in focus and the pointers around it can be moved to define an in-focus region, which can be round or square, or a variation. The focus quickly falls off to a blur. This effect somewhat simulated what you would get with a Lensbaby type bellows lens. The third in the gallery is the field blur.
This is a quick way to simulate depth of field. You can set two points at different amounts of blur. A smooth blend of blur will be created between the two points, You are supposed to set one point blurry and the other one sharp and move them around to create a smooth blend. Of course there is nothing stopping you from adding blurs to both and going for a creative style effect. All of the blurs also have the option to set a Bokeh style highlight, which is either a specular white or a saturated color.
Tilt-Shift Effect. Adaptive Wide Angle An interesting addition to the warp-style effects. This line is designed to straighten out barreled images and in particular panoramas. Using the adaptive wide angle, drag out a line and Photoshop straightens the photo to make the line level. Apply several lines to a panorama and you can either straighten in completely, or turn it into a mess. This one take a little practice to master, but is super useful when you have it tamed. Crop The Crop tool is nothing short of amazing.
You can view the crop overlays and position your image within the crop bounds and even rotate it right on screen. You have to see this realize just how cool it is. Perspective crop tool In addition to the crop tool, there is a perspective crop tool. Position this over an image and pull each corner out at different angles. This makes it possible to crop a crooked, perspective, photograph, and make it perfectly straight in just a few seconds.
Truly amazing and super useful! Content Aware The content aware magic continues. This is a great tool for a couple of things.
If you want to take a small element from an image and reposition it, this tool does a great job. However if you want to get a bit more creative, you can stretch and reshape objects with the tool. The key is in using the correct option in the option bar. Choose either the Move or the Extend option from the Options bar. Also noteworthy is the patch tool now has a content aware option.
Very nice for filling in larger areas and having more control over the fill content. The texture from the new area will seamlessly blend into the patch area. I personally love this one! Lighting Effects Lighting effects is back!
It was missing in bit versions of CS5 because it was just that, only in bit. The good news is that it now works in bit per Channel Mode. This is great for adding different types of lighting effects to images. When you apply the effect to an alpha channel, the banding is really bad. Better off to keep using it in 8-bit mode for illustration. Liquify Liquify has had a real nitro boost this time around.
This means that the performance is fast. I found it to be amazingly fast. Liquefying is smooth and fluid. When you push the tools, the image moves with you, unlike in the past where there was a lag and then a sluggish movement of pixels.
This performance provides a lot more control over the warping. Warp Transform This has also gotten a major speed boost. Puppet Warp The puppet warp now works directly onscreen. Painting Nice new additions to speed performance are the new erodible tips for brushes.
These create some nice realistic looking strokes and can also be wrangled for some nice grunge effects. Airbrushes also get some new tips that respond well to tilt with a Wacom pen. I can see a lot of potential with these. There is also an Oil painter filter that came over from Pixel Bender. This allows you to paint over a photograph and produce some surprisingly realistic oil painting looks. Small thing, maximum brush size has now been increased to 5, pixels.
This is good for an overlay of a Photo without hard edges from something like a Canon 5D. JDI Brushes One thing I always found frustrating is when you are trying to sample a color and there are adjustment layers on it.
You now have the option to sample a color and ignore the adjustment layers. On top of that you can also sample, current layer, all layers and new is current layer and beneath. Also current and beneath, no adjustments. Not so obvious at first glance though, is how much.
Layer filtering has been added. For someone who can work with hundreds of layers, this is so awesome! You can filter by kind default. These options include images, adjustments, text, vector layers and smart objects. There are also other categories such as name, effect, mode, attribute and color.
There is a long list of attributes that include visible, advanced blending and more. Text is interesting because you can search by layer name. If you are an illustrator, designer or compositor, filtering will save you a ton of time. Speaking of layer names, when renaming layers, press the tab key to advance to the next layer and fill out its name too. New vector layers. Designers are going to be thrilled about this one. Vector layers are redesigned.
You can now define a stroke and a fill for any vector layers including the pen tool and shape layers. The fills can be solid, patterns or gradients. The strokes can be solid, patterns or gradients too.
Check this out, yes; there are now dotted and dashed strokes available!
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