Native Instruments Massive X Synthesizer Out Now: Patchable Engine, New Interface & More

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Get everything you need to create any sound imaginable. Quickly patch complex routings to bring your ideas to life — no matter how far-out they might seem — and take things further than you thought you could with expressive, playable modulation. Think it up, dial it in, and define what the future sounds like. Kick things off with two wavetable oscillators, a huge selection of wavetables, and countless different ways of using them and shaping their sound — with huge potential for tonal variation.
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Massive X released: Native Instruments aims for another decade of soft synth dominance

All of a sound’s most important parameters are pre-configured and mapped to these controllers. A single controller can handle multiple assignments — for example, just twist ‘Rhythm’ and watch how multiple underlying parameters change simultaneously.

The macro controls enable you to customize any of MASSIVE’s presets instantly and profoundly, without having to understand the technical structure of the sound.

The macro controls essentially turn each sound into a set of possible sounds that seamlessly morph into one another. Moreover, the macro controls are the most important interface to other applications. It combines the highest sonic quality with utmost flexibility and controllability. Think of a Wave Scanning oscillator as a multi-track sequencer; one of the tracks contains a saw wave and the other a pulse wave. In the horizontal dimension a single cycle’s read-out speed curve can be manipulated in three different bending modes.

MASSIVE features an unlimited number of these “tracks” in each wavetable as well as two additional manipulation modes relevant for time and frequency settings. MASSIVE comes with 85 specially designed wavetables, each one with a unique combination of waveforms and particular sonic characteristics.

Finally, a modulation oscillator can be used to vary the main oscillators’ signal. It can be used for ring modulation, phase modulation which sounds similar to FM as well as further modulation modes.

A noise generator provides an additional signal source that can be mixed in with the other signals, generating particular effects. You can place two insert effects at various places within the signal flow.

You can also take the signal at any point and route it back to the beginning. For example, you can filter a sound and feed it back into the filter’s input. This can create very lively and dynamic results.

The flexibility is further increased by placing an insert effect into the feedback path. This feature allows a direct ‘punch’ to be added to layered, highly modulated sounds, for example to add a sub bass. Multiple parameters can be assigned to a single macro control, bundling technical settings into a single control — a far more musical approach. For instance, you can assign both the filters’ cutoff frequencies to one macro control and label it as “Brightness”.

While the Stepper conforms to the well-known, established operating modes, the Performer allows each step to be shaped individually, making it ideal for advanced rhythmic structures. A flexible low frequency oscillator completes the list of modulation sources. The variety of possibilities is as wide as it is fast to use. This is further enhanced by the inclusion of templates for standard tasks for all the modulation sources, such as envelopes, LFOs, steppers and performers.

For example, setting an envelope to a generic ADSR shape is a quick, one-click issue. The Keytracking pages map the incoming pitch information generated by your keyboard or sequencer individually for each oscillator and filter. This allows effects to be created that can be controlled by simply playing your keyboard.

Like in most synthesizers, you can adjust glide times between pitches when you play legato notes. The Voicing page allows switching between polyphonic and monophonic voice handling as well as several voice trigger options, for example playing musical-sounding trills easily with your keyboard.

Several voices can be triggered by a single note. Much like an orchestra where several violins play the same ‘voice’, making the sound warmer and more lively, the unisono feature makes your sound thick and vivid. This feature can also be adjusted to extreme settings, spreading your voices over several octaves or filling the stereo panorama — all with just one single note being played.

All have pre-defined macro controls and all have been crafted by professional sound designers and well-known artists. The spectrum of styles included is as wide and varied as music itself, bound to inspire you no matter what the flavour of the piece you’re currently working on. The browser, besides being intuitive and easy to handle, delivers results in an instant.

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All of a sound’s most important parameters are pre-configured and mapped to these controllers. A single controller can handle multiple assignments — for example, just twist ‘Rhythm’ and watch how multiple underlying parameters change simultaneously. The macro controls enable you to customize any of MASSIVE’s presets instantly and profoundly, without having to understand the technical structure of the sound. The macro controls essentially turn each sound into a set of possible sounds that seamlessly morph into one another. Moreover, the macro controls are the most important interface to other applications. It combines the highest sonic quality with utmost flexibility and controllability.

VIDEO: Komplete : Synths : Massive : Feature Details | Products

Results 1 – 24 of Download sounds for Native Instruments MASSIVE and many other Patch and Soundsets at soft.isp.regruhosting.ru As this idea catches on with other NI Massive users out there, this classic sound is bound to make many more appearances in the clubs very soon. Guys like. NATIVE INSTRUMENTS RELEASES MASSIVE X The new flagship wavetable synthesizer from NI is set to define the next ten years of.

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