DrumCore 4.1 AAX/VST3/AU Plug-In Now Includes Multiple Output Routing

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When DrumCore first appeared in the pages of SOS, way back in February , it was a loop-auditioning interface that enabled musicians and producers with hard drives full of audio and MIDI loops to organise their collections of files. When its developers, Submersible Music, finally produced a plug-in, it was a version of their KitCore virtual instrument, which had been developed to provide a simple and cost-effective way for people to make use of the drummer MIDI libraries. I held off moving to a bit PC system in anticipation of v4, but suddenly everything went quiet. I suspected that significant licensing and design issues were preventing Sonoma from moving forward, so I went ahead and upgraded my PC.
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When DrumCore first appeared in the pages of SOS, way back in February , it was a loop-auditioning interface that enabled musicians and producers with hard drives full of audio and MIDI loops to organise their collections of files. When its developers, Submersible Music, finally produced a plug-in, it was a version of their KitCore virtual instrument, which had been developed to provide a simple and cost-effective way for people to make use of the drummer MIDI libraries.

I held off moving to a bit PC system in anticipation of v4, but suddenly everything went quiet. I suspected that significant licensing and design issues were preventing Sonoma from moving forward, so I went ahead and upgraded my PC. Then, towards the end of , Sonoma suddenly began advertising the release of version 4 again and hope was reborn, although it’s taken another couple of years of beta testing to get the product into a releasable state!

Lite is by far the cheapest currently available, but it only includes a limited amount of content, totalling 4GB. Then, for those who already have a drive they want to use, there is a DrumCore Prime Link option, offering the same content as Prime Flash but as a set of manageable downloads.

The version sent to me for review sits at the top of the range and is aptly named Ultra. To be more precise, the user is given multi-velocity sampled kits, groove sets, 22, audio loops and MIDI loops. The Editor page makes it possible to edit every sample layer of each drum pad using an ADSR envelope, gain and pitch controls, and spacing controls. Content is also identified by the drummer that created it, and Ultra includes the work of 18 world-famous drummers see the Ultra Drummers box for more details.

For me and many others, the drummer libraries have always been the most attractive feature of DrumCore. I began dragging the audio files into my DAW so that I could chop and edit them to make my drum tracks, and as a consequence, I have the likes of Terry Bozzio playing custom backing on many of my songs. Content is categorised by musical style and artist. Audio fills are separated into their own folder, as are MIDI loops and fills. Another nice feature of DrumCore is that it allows you to choose a set of MIDI patterns created by one drummer and have them played using the sampled kit of another.

This means that, for example, a jazz kit could be used to play some heavy-metal MIDI sequences. Indeed, there are discounted upgrade paths from earlier versions and a migration tool that enables users to move their libraries into DrumCore 4 rather than re-install them as downloads. Unfortunately, though, some libraries are no longer supported and cannot be migrated to the new software.

When the plug-in opens, the user is presented with a panel of photographs of all the drummers that are currently in their library. From here, the user can either click on a drummer and then browse a menu of their audio and MIDI performances, or narrow down the search by genre. The Mixer panel enables the user to alter the balance of their MIDI output and to apply a custom mix of effects to each channel, as shown by the coloured dots in the screen above.

On another tabbed page, called Kit, there is a seven-channel mixer for controlling the sound of subsections of the kits. From left to right the channels are labelled Kick, Snare, Hi-hats, Toms, Cymbals, Crash and Percussion, and each one features a level fader, pan knob, mono and solo buttons and effect insert options.

Above the virtual mixer is a panel showing all the drum elements that make up the selected kit. Similarly, the MIDI note pre-assigned to each instrument can be altered to any other by selecting alternatives from a pop-up menu.

Many users find that at some point they want to mix and match kit elements from different drummers to form custom kits, and this is pretty easy to do. From here the user is given control over sample-to-pad assignment so that they can, for example, remove all the samples that are currently assigned to a particular pad and re-populate the velocity layers with a custom selection. Further refinements of each sample layer can be made by altering its pitch and gain, or by dragging any of the five nodes of an ADSR envelope.

Alternatively, users can target the pad as a whole, rather than its layers, and change its pitch, gain, pan and velocity range.

Admittedly, DrumCore 3 also enabled velocity layer editing and the free assignment of pads, but the interface was not as user friendly as it is now and the ADSR tool is new. Its insert effects comprise a compressor, EQ, delay and down-sampler called Crush, which mimics the truncation errors and jitter that old low-bit samplers introduced. For example, the delay parameters use music notation rather than fractions, and the bandwidth of the EQ is altered by dragging a coloured panel outwards and inwards.

These four processors are available to each of the seven mixer channels, making it possible to have quite different treatments applied to every sub-section of a kit. The Master Effects include a delay, EQ and multi-band compressor. A provision of master effects is found on a separate tabbed page, and these comprise a four-band compressor and a delay and EQ that appear identical in design to their insert counterparts.

It works a bit like the tracks of a DAW by allowing loops to be freely dragged and dropped into it. Audio and MIDI loops can be used indiscriminately, and DrumCore 4 automatically creates a render file of each loop at the session tempo. One last control worth mentioning is the Live Drummer slider, which is found far from everything else on a tabbed Settings page.

Unlike the other DrumCore controls, which deal with individual drum pads and kit patches, it is a global function that affects the feel of everything. Drag the slider up and the loops become a little more loose; drag it down and they become tighter, but less human.

Almost all of the functions of the DrumCore 3 stand-alone component and its plug-in counterpart have been incorporated into the version 4 design alongside its new features, but one noticeable absentee is the Gabrielize tool that was present in previous versions. In short, when the Gabrielize button was clicked, the beats of the selected loop were rearranged randomly to generate a new loop.

It was fairly unpredictable but quite a nice tool to try out on occasion. The stand-alone component of version 3 was starting to look decidedly tired, but now its features have been rolled into the plug-in and everything looks fresh and modern. Features like the mixer and its effects; the sample layer ADSRs; the Timeline panel; and the GB USB drive, are all nice improvements, and its comforting to know that Sonoma are committed to developing the product still further.

While it has been in limbo, quite a number of new virtual drum instruments have appeared on the market, so competition is stiffer than ever, but most seem to focus on creating realistic virtual kits of particular eras and styles rather than providing the grooves of big-name drummers. Products like FXpansion BFD3, Toontrack Superior Drummer 2 and XLN Addictive Drums 2 all focus on offering the best drum recordings they can typically using multiple mic positions , and provide a sophisticated virtual mixer with which to process them.

And then there are plenty of specific kit instruments available from the likes of Native Instruments and Drumdrops, although these use the Kontakt engine as a platform for their mixers and effects. Excellent variety and quality of audio and MIDI loops. Simple-to-use interface. USB drive provides welcome storage for drummer libraries and future purchases.

Upgrade path from previous DrumCore versions. Cons Some mixer functions are still under development. The absence of the Gabrielize feature might disappoint long-term users. Some Drummer Packs that worked with previous versions can no longer be used. The price of Ultra will be too high for some. Summary At long last, DrumCore is bit compatible and includes a virtual mixer and palette of effects and processors.

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ReCycle The perfect tool for sampled grooves Slice your sampled loops with ReCycle and turn them from rigid recordings to flexible musical elements that blend seamlessly with your music. ReCycle slices loops into their rhythmical components, letting you quantize, rearrange or totally reimagine your sampled grooves. Transient Shaper, EQ, Envelope and a stretch feature that stretches the tail end of your each slice in the loop. Create Save your loops as REX files and let the creative part begin. With ReCycled audio, your loops can be arranged, rearranged have their timing altered or even be used as a groove template for your song. ReCycle tricks 1. ReCycled loops can be quantized in your sequencer to fit with any groove.

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Drumcore 3 Torrent Download The Borgias – The complete Season 3. Woody Allen – Annie Hall ()soft.isp.regruhosting.ru Riverside-The. Sonoma Wire Works: DrumCore 3 (32 bit only) Drum 26/10/ = add one FREE drum (Ivy Audio – Scott Drums – KONTAKT/torrent). DrumCore users have been waiting a very long time for a new version, but version 4 is finally here — and available for both Mac and PC.

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